The internet’s capability to turn striking visual images into widely circulating memes has forever changed the status of poster design. Consider Shepard Fairey’s famous poster, “Hope“, featuring Barack Obama, which managed to effectively become a major campaign asset despite never securing Obama’s approval (or that of Getty Images, which owned the source photograph).
It was the “Keep Calm and Carry On” poster, however, that inspired this blog post. The design, which consists of these words in a sans-serif column beneath a crown, typically on a monochrome background or before a Union Jack, has become a ubiquitous fixture in hipper scenes.
Not everyone, however, seems to be aware of its origin: a motivational poster produced by the British government in 1939, meant to buoy civilian morale amidst devastating German air raids on London (it was never actually distributed, however, until being rediscovered in 2000).
That an artifact of such historical gravity, associated with such trauma, could be emptied of its meaning and distributed as a trendy wall decoration is certainly upsetting, but it did get us thinking about the many other famous posters we all know and what their own historical origins might be. You might be surprised by some of them.
Ben Franklin’s proto-poster
Although this illustration by American founding father Benjamin Franklin was printed as a political cartoon well before the existence of the modern-day poster, its function was similar.
Its message was that the American colonies must unite if they wish to successfully fight the British for independence – a bit of propaganda and a memorable image to mobilize it.
Boozy Belle Époque
Late 19th century Europe witnessed the emergence of graphic design as we know it today, and along with it, the modern poster. Art Nouveau artists like Alphonse Mucha put their beautiful illustration skills to work for advertisements for luxury goods – especially liqueurs like absinthe and vermouth. The posters feature boozy pre-Raphaelite women and devious gremlins in more or less equal number.
World War I recruitment
Americans are most familiar with Uncle Sam (below), our star-spangled military recruitment figure. But in fact, the iconic representation of Uncle Sam with his authoritative forefinger was modeled after a World War I recruitment poster from across the pond, featuring Great Britain’s famous Field Marshal Herbert Kitchener (above).
During the Great Depression of the 1930s, the Franklin D. Roosevelt administration established the Works Projects Administration with the hopes of stimulating the economy by creating work for people, including artists.
Amazing moments, caught on camera
The emergence of high-quality, portable cameras ushered in a whole new type of poster: the amazing snapshot. In the above image, a line of construction workers break for lunch on a cross beam high atop the skeleton of the RCA building in New York’s Rockefeller Center, during its construction in 1932. No, that is not Photoshopped.
This gem allegedly came into being after a conference at which Einstein spoke. Tired and annoyed by photographers who kept asking him to smile for their cameras, the father of modern physics stuck out his tongue instead.
This famous embrace occurred during a parade in Times Square celebrating the announcement of victory in Japan and the end of World War II.
Women of World War II
Rosie the Riveter easily ranks among the most famous poster incarnations. This fierce lady inspired American women to contribute to the war effort by working in munitions factories.
Pin-up girl posters, featuring women in varying degrees of undress for the titillation of male buyers, have had a fascinating evolution. They came into existence toward the end of the 19th century along with the rest of mass-producible media. They took the form of both photographs and illustrations – the most noteworthy (and scandalous) of which we owe to the artist Alberto Vargas – until the 1950s, at which point photography became their predominant medium.
Real life icons like Marilyn Monroe have served as pin-up girls, most famously in the above film still from The Seven Year Itch (1955), but so have fabricated advertising creations, like the Coca-Cola girl below (1946).
The Sixties: Rebels and Rockstars
This photograph of The Doors’ Jim Morrison became iconic after the rock star’s death, which was allegedly the result of a heroin overdose. He was one of many counterculture figures from this decade to receive iconizing treatment.
The below images of Argentine revolutionary Che Guevara, folk singer Bob Dylan, and the Rolling Stones are all dorm room staples now.
The Seventies: Hanging in there …
For some reason, a kitten clinging to a clothesline became a motivational poster phenomenon. Indeed, when American vice president Spiro Agnew was being pressured to redesign because of tax evasion and bribery, a group of his supporters famously presented him with the image.
As a form of cheap wall decoration, the poster has found one of its primary homes in college dorm rooms. Not surprisingly, then, a vast number of college-oriented posters, often glorifying binge drinking, have come into being.
Hope, or “The Dude Abides”
Few posters in recent history have had the impact of “Hope,” designer Shepard Fairey’s red, white and blue treatment of a photograph of Barack Obama that circulated widely before the politician’s election in 2008 (and also landed the artist in some trouble with Getty Images, which owned the copyright to the source photograph).
As with many of the famous posters included above, it has spawned a vast progeny of spoofs, like the one below featuring the protagonist of cult film The Big Lebowski (1998). We leave you with The Dude.